Emma Stone attends the Opening Ceremony and ‘Birdman’ premiere during the 71st Venice Film Festival on August 27, 2014 in Venice, Italy.
I’m in love with this gif. Everything about it. The rain drizzling. The candle flickering. The colors. I love it.
Nicki Minaj is not a woman who easily slides into the roles assigned to women in her industry or elsewhere. She’s not polished, she’s not concerned with her reputation, and she’s certainly not fighting for equality among mainstream second-wave feminists. She’s something else, and she’s something equally worth giving credence to: a boundary-breaker, a nasty bitch, a self-proclaimed queen, a self-determined and self-made artist. She’s one of the boys, and she does it with the intent to subvert what it means. She sings about sexy women, about fucking around with different men. She raps about racing ahead in the game, imagines up her own strings of accolades, and rolls with a rap family notorious for dirty rhymes, foul mouths, and disregard for authority and hegemony.
While Beyoncé has expanded feminist discourse by reveling in her role as a mother and wife while also fighting for women’s rights, Minaj has been showing her teeth in her climb to the top of a male-dominated genre. Both, in the process, have expanded our society’s idea of what an empowered women looks like — but Minaj’s feminist credentials still frequently come under fire. To me, it seems like a clear-cut case of respectability politics and mainstreaming of the feminist movement: while feminist writers raved over Beyoncé’s latest album and the undertones of sexuality and empowerment that came with it, many have questioned Minaj’s decisions over the years to subvert beauty norms using her own body, graphically talk dirty in her work, and occasionally declare herself dominant in discourse about other women. (All of these areas of concern, however, didn’t seem to come into play when Queen Bey did the same.)— Nicki Minaj’s Feminism Isn’t About Your Comfort Zone: On “Anaconda” and Respectability Politics | Autostraddle (via peterquell)
[pre-gifs] “…So, she [Paris Hilton] was a very wealthy woman, [initially] not that well known and then she gets to mega-stardom. How? The sex tape. Which was made by her boyfriend at the time, who was married, and thirteen years her senior. She sued to try and stop it [the tape’s circulation] and she couldn’t and it became the best selling sex tape for two years on the porn market.”
As life goes on it becomes tiring to keep up the character you invented for yourself, and so you relapse into individuality and become more like yourself everyday.— Agatha Christie, An Autobiography (via harukimuracallme)